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Monday, 8 September 2008

Banyan Biomarkers Announces U.S. Patent For Neural Proteins As Biomarkers For Traumatic Brain Injury

�Banyan Biomarkers, Inc. proclaimed that the U.S. Patent and Trademark Office has granted U.S. Patent No. 7,396,654 B2 "Neural Proteins as Biomarkers for Traumatic Brain Injury," licensed entirely by Banyan Biomarkers from the University of Florida. Specifically, the patent covers the spotting of certain neuronal protein markers set up in the blood of patients suffering from neuronal injury and / or neuronal hurt. The patent also covers certain sensitive and rapid methods and test kits that can buoy be victimized as tools for the diagnosis of neural injuries and/or neuronic disorders such as brain injury, neural damage due to do drugs or alcohol addiction and diseases associated with the brain and central spooky system.

Banyan Biomarkers too holds the exclusive permit from the University of Florida for U.S. Patent No. 7,291,710 "Detection of spectrin and spectrin proteolytic cleavage products in assessing nerve cellular phone damage."

Gary Ascani, Chief Executive Officer of Banyan Biomarkers, Inc., commented, "Banyan continues to effectively build its intellectual property portfolio and broaden our applications for biomarkers as critical tools for assisting physicians in diagnosis and managing patients with traumatic brain injuries and other acute central nervous system injuries such as stroke."

Approximately 1.9 million traumatic brain injuries are sustained annually. In a comparison provided by the Brain Injury Association of America, more traumatic brain injuries occur annually than the combined incidences of multiple sclerosis, spinal anaesthesia cord injuries, HIV/AIDS and breast cancer.

Banyan Biomarkers is the leader in developing in vitro diagnostic products to address unmet clinical needs for the detection of traumatic mastermind injury. The company is focused on developing a simple point-of-care blood test that volition be used by physicians to discover the presence and austereness of head trauma and facilitate the diagnosis and management of head injured patients. Banyan Biomarkers also uses the company's proprietary biomarkers to provide testing services for the pharmaceutic industry in the rating of do drugs candidates for pre-clinical and clinical studies.

Banyan Biomarkers

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Friday, 29 August 2008

Download Conrad Schnitzler mp3

Artist: Conrad Schnitzler: mp3 download

   Genre(s):

Electronic
Classical

Discography:

Contakt

Year: 2003

Tracks: 12

Con '72

Year: 2001

Tracks: 2

Acon

Year: 2000

Tracks: 17

Convex Live

Year: 1995

Tracks: 15

Control Live

Year: 1995

Tracks: 25

Blue Glow Live

Year: 1994

Tracks: 15

Con Brio

Year: 1993

Tracks: 6

Constellations

Year: 1987

Tracks: 2

Con 3

Year: 1982

Tracks: 9

Rot

Year: 1981

Tracks: 2

Auf Dem Schwarzen Kanal

Year: 1980

Tracks: 4

Ballet Statique

Year: 1978

Tracks: 10

Blau

Year: 1972

Tracks: 2

Tracks From The Ivory Tower

Year:

Tracks: 5

Electronegativity

Year:

Tracks: 8

Convex (Fragments)

Year:

Tracks: 3

Consequenz 2

Year:

Tracks: 8

Charred Machinery

Year:

Tracks: 3

Automat

Year:

Tracks: 4

0044

Year:

Tracks: 12

One of the prime figures in the outgrowth of Kraut-rock, Conrad Schnitzler made classic contributions to the quondam history of Kraftwerk and Kluster. Like many in the Kraut-rock community, Schnitzler was greatly divine by influences in the optic aesthetic public as well as the musical; he studied carving with Joseph Beuys, and composition with Karlheinz Stockhausen, likewise looking to John Cage and Pierre Schaeffer for intake. By 1969, he was working with Tangerine Dream, with whom he recorded Electronic Meditation. The record album became one of the near distinctive in TD's discography, and Schnitzler takes a great deal of the credit for its chance-taking approach.

Ahead the end of the decennary, Schnitzler had begun appearing with another soon-to-be Kraut-rock caption, Kluster. Formed with Dieter Moebius and Hans-Joachim Roedelius, the group recorded two albums in 1970, Klopfzeichen and Zwei Osterei. Schnitzler left for a solo calling one year later, though Moebius and Roedelius credibly appeared on his debut, Schwarz (no credits were disposed, merely former musicians toilet be heard). With Schwarz and 1972's Rot, Schnitzler began to progression from by and large acoustic music to a style based around electronics and tape-looped wakeless. Though he continued to record meagerly during the seventies, non much of Schnitzler's work was released until the following decennary. He emerged in 1978 with the album Bunco, recorded at Peter Baumann's Paragon Studios, and with the support of the French mark Egg Records.

The starting time of a new decade resulted in much activity for Conrad Schnitzler, and he released seven albums in add up during 1980-81 alone. The styles ranged from the rough sequencer enchantment of Consequenz to the surprisingly pop-oriented project Hustle 3 (both were recorded with barrel machines and vocals by Wolf Sequenza, at one time of Ton Steine Scherben). During the rest of the eighties, Schnitzler recorded ofttimes, only released his dissemble on increasingly obscure labels. After some other fallow stop during the early '90s, he began transcription with Plate Lunch Records, which issued new releases such as 1998's 00/44 as advantageously as archival reissues like 1971's Guff.

Saturday, 9 August 2008

Trollskogen

Artist: Trollskogen

   Genre(s):
Metal: Death,Black

Discography:

Vom Vergess'nen Land

Year: 2002
Tracks: 6

Jonathan Goldman

Tuesday, 1 July 2008

Jolie in French hospital for birth of twins

PARIS —

Angelina Jolie has gone into a hospital in the south of France where she expects to give birth to twins.

Nadine Bauer, a spokeswoman for the Lenval Hospital in Nice, says Jolie is fine and that everything is going well. She said the actress' admittance to the hospital's maternity wing had been planned for some time.

Bauer said Jolie will almost certainly remain in the hospital until she gives birth. She said Jolie was admitted so she could be kept under surveillance and not to give birth immediately.

Bauer would not say when Jolie was admitted.

See Also

Monday, 30 June 2008

Fish

Artist: Fish

   Genre(s):
Rock
   Other
   Rock: Progressive

Discography:

Return To Childhood (Disc 2)

Year: 2006
Tracks: 13

Return To Childhood (Disc 1)

Year: 2006
Tracks: 9

Robe Grosse

Year: 2005
Tracks: 15

Resta Ancora

Year: 2004
Tracks: 1

Field of crows

Year: 2003
Tracks: 11

Raingods With Zippos

Year: 1999
Tracks: 12

Sunsets On Empire

Year: 1997
Tracks: 10

Suits

Year: 1994
Tracks: 10

Songs From The Mirror

Year: 1993
Tracks: 9

Internal Exile

Year: 1992
Tracks: 9

Vigil In The Wilderness Of Mirrors

Year: 1990
Tracks: 9

Born April 25, 1958, in Edinburgh, Scotland, Derek William Dick (aka Fish) was the dramatic pencil lead vocalizer for prog sway band Marillion until start a solo career in 1988. Marillion was ab initio formed as an instrumental band in 1979 by guitarist Steve Rothery (b. November 25, 1959; Brampton, England), drummer Mick Pointer, bassist Doug Irvine, and keyboard participant Brian Jelliman. Irvine began vocalizing in 1980 on the group's low demos, but a year by and by Marillion invited Fish to unite as vocaliser, and he sham the frontman military position beginning with their 1983 debut album, Script for a Jester's Tear. His inviolable Peter Gabriel-inspired vocals enforced critics' accusations that Marillion owed more than just a heavy debt to Genesis, only six-spot more albums followed. Musical difficulties between Fish and the stripe caused him to leave behind subsequently 1988's Larceny Magpie (La Gazza Ladra). He was replaced by Steve Hogarth (b. May 14, 1956; Kendal, England), a singer quite similar in sound and style to Fish himself.

In 1989, Fish worked with Peter Hammill on Hammill's Fall of the House of Usher externalise, simply was and so replaced by Andy Bell. His debut solo album, Vigil in a Wilderness of Mirrors, appeared one class subsequently and continued the theatrical elan of Marillion's quasi-concept albums. After 1991's Internal Exile and the 1993 covers album Songs from the Mirror, he moved from EMI to Dick Bros. The Acoustic Session CD appeared in 1994, and one class subsequently Fish released a bivalent album (released individually), Yin and Yang. Sunsets on Empire was issued in 1997, followed by the well-received Raingods With Zippos on Chocolate Frog Records in 1999. During the new millennium Fish has continued cathartic CDs on the Chocolate Frog mark, including 2002's Fellini Days, 2003's Sashimi double-CD plant recorded live in Poland, and 2004's Theater of Crows.