Monday, 8 September 2008

Banyan Biomarkers Announces U.S. Patent For Neural Proteins As Biomarkers For Traumatic Brain Injury

�Banyan Biomarkers, Inc. proclaimed that the U.S. Patent and Trademark Office has granted U.S. Patent No. 7,396,654 B2 "Neural Proteins as Biomarkers for Traumatic Brain Injury," licensed entirely by Banyan Biomarkers from the University of Florida. Specifically, the patent covers the spotting of certain neuronal protein markers set up in the blood of patients suffering from neuronal injury and / or neuronal hurt. The patent also covers certain sensitive and rapid methods and test kits that can buoy be victimized as tools for the diagnosis of neural injuries and/or neuronic disorders such as brain injury, neural damage due to do drugs or alcohol addiction and diseases associated with the brain and central spooky system.


Banyan Biomarkers too holds the exclusive permit from the University of Florida for U.S. Patent No. 7,291,710 "Detection of spectrin and spectrin proteolytic cleavage products in assessing nerve cellular phone damage."


Gary Ascani, Chief Executive Officer of Banyan Biomarkers, Inc., commented, "Banyan continues to effectively build its intellectual property portfolio and broaden our applications for biomarkers as critical tools for assisting physicians in diagnosis and managing patients with traumatic brain injuries and other acute central nervous system injuries such as stroke."


Approximately 1.9 million traumatic brain injuries are sustained annually. In a comparison provided by the Brain Injury Association of America, more traumatic brain injuries occur annually than the combined incidences of multiple sclerosis, spinal anaesthesia cord injuries, HIV/AIDS and breast cancer.

Banyan Biomarkers is the leader in developing in vitro diagnostic products to address unmet clinical needs for the detection of traumatic mastermind injury. The company is focused on developing a simple point-of-care blood test that volition be used by physicians to discover the presence and austereness of head trauma and facilitate the diagnosis and management of head injured patients. Banyan Biomarkers also uses the company's proprietary biomarkers to provide testing services for the pharmaceutic industry in the rating of do drugs candidates for pre-clinical and clinical studies.

Banyan Biomarkers


More info

Friday, 29 August 2008

Download Conrad Schnitzler mp3






Conrad Schnitzler
   

Artist: Conrad Schnitzler: mp3 download


   Genre(s): 

Electronic
Classical

   







Discography:


Contakt
   

 Contakt

   Year: 2003   

Tracks: 12
Con '72
   

 Con '72

   Year: 2001   

Tracks: 2
Acon
   

 Acon

   Year: 2000   

Tracks: 17
Convex Live
   

 Convex Live

   Year: 1995   

Tracks: 15
Control Live
   

 Control Live

   Year: 1995   

Tracks: 25
Blue Glow Live
   

 Blue Glow Live

   Year: 1994   

Tracks: 15
Con Brio
   

 Con Brio

   Year: 1993   

Tracks: 6
Constellations
   

 Constellations

   Year: 1987   

Tracks: 2
Con 3
   

 Con 3

   Year: 1982   

Tracks: 9
Rot
   

 Rot

   Year: 1981   

Tracks: 2
Auf Dem Schwarzen Kanal
   

 Auf Dem Schwarzen Kanal

   Year: 1980   

Tracks: 4
Ballet Statique
   

 Ballet Statique

   Year: 1978   

Tracks: 10
Blau
   

 Blau

   Year: 1972   

Tracks: 2
Tracks From The Ivory Tower
   

 Tracks From The Ivory Tower

   Year:    

Tracks: 5
Electronegativity
   

 Electronegativity

   Year:    

Tracks: 8
Convex (Fragments)
   

 Convex (Fragments)

   Year:    

Tracks: 3
Consequenz 2
   

 Consequenz 2

   Year:    

Tracks: 8
Charred Machinery
   

 Charred Machinery

   Year:    

Tracks: 3
Automat
   

 Automat

   Year:    

Tracks: 4
0044
   

 0044

   Year:    

Tracks: 12






One of the prime figures in the outgrowth of Kraut-rock, Conrad Schnitzler made classic contributions to the quondam history of Kraftwerk and Kluster. Like many in the Kraut-rock community, Schnitzler was greatly divine by influences in the optic aesthetic public as well as the musical; he studied carving with Joseph Beuys, and composition with Karlheinz Stockhausen, likewise looking to John Cage and Pierre Schaeffer for intake. By 1969, he was working with Tangerine Dream, with whom he recorded Electronic Meditation. The record album became one of the near distinctive in TD's discography, and Schnitzler takes a great deal of the credit for its chance-taking approach.


Ahead the end of the decennary, Schnitzler had begun appearing with another soon-to-be Kraut-rock caption, Kluster. Formed with Dieter Moebius and Hans-Joachim Roedelius, the group recorded two albums in 1970, Klopfzeichen and Zwei Osterei. Schnitzler left for a solo calling one year later, though Moebius and Roedelius credibly appeared on his debut, Schwarz (no credits were disposed, merely former musicians toilet be heard). With Schwarz and 1972's Rot, Schnitzler began to progression from by and large acoustic music to a style based around electronics and tape-looped wakeless. Though he continued to record meagerly during the seventies, non much of Schnitzler's work was released until the following decennary. He emerged in 1978 with the album Bunco, recorded at Peter Baumann's Paragon Studios, and with the support of the French mark Egg Records.


The starting time of a new decade resulted in much activity for Conrad Schnitzler, and he released seven albums in add up during 1980-81 alone. The styles ranged from the rough sequencer enchantment of Consequenz to the surprisingly pop-oriented project Hustle 3 (both were recorded with barrel machines and vocals by Wolf Sequenza, at one time of Ton Steine Scherben). During the rest of the eighties, Schnitzler recorded ofttimes, only released his dissemble on increasingly obscure labels. After some other fallow stop during the early '90s, he began transcription with Plate Lunch Records, which issued new releases such as 1998's 00/44 as advantageously as archival reissues like 1971's Guff.






Saturday, 9 August 2008

Trollskogen

Trollskogen   
Artist: Trollskogen

   Genre(s): 
Metal: Death,Black
   



Discography:


Vom Vergess'nen Land   
 Vom Vergess'nen Land

   Year: 2002   
Tracks: 6




 





Jonathan Goldman

Tuesday, 1 July 2008

Jolie in French hospital for birth of twins

PARIS —

Angelina Jolie has gone into a hospital in the south of France where she expects to give birth to twins.


Nadine Bauer, a spokeswoman for the Lenval Hospital in Nice, says Jolie is fine and that everything is going well. She said the actress' admittance to the hospital's maternity wing had been planned for some time.


Bauer said Jolie will almost certainly remain in the hospital until she gives birth. She said Jolie was admitted so she could be kept under surveillance and not to give birth immediately.


Bauer would not say when Jolie was admitted.








See Also

Monday, 30 June 2008

Fish

Fish   
Artist: Fish

   Genre(s): 
Rock
   Other
   Rock: Progressive
   



Discography:


Return To Childhood (Disc 2)   
 Return To Childhood (Disc 2)

   Year: 2006   
Tracks: 13


Return To Childhood (Disc 1)   
 Return To Childhood (Disc 1)

   Year: 2006   
Tracks: 9


Robe Grosse   
 Robe Grosse

   Year: 2005   
Tracks: 15


Resta Ancora   
 Resta Ancora

   Year: 2004   
Tracks: 1


Field of crows   
 Field of crows

   Year: 2003   
Tracks: 11


Raingods With Zippos   
 Raingods With Zippos

   Year: 1999   
Tracks: 12


Sunsets On Empire   
 Sunsets On Empire

   Year: 1997   
Tracks: 10


Suits   
 Suits

   Year: 1994   
Tracks: 10


Songs From The Mirror   
 Songs From The Mirror

   Year: 1993   
Tracks: 9


Internal Exile   
 Internal Exile

   Year: 1992   
Tracks: 9


Vigil In The Wilderness Of Mirrors   
 Vigil In The Wilderness Of Mirrors

   Year: 1990   
Tracks: 9




Born April 25, 1958, in Edinburgh, Scotland, Derek William Dick (aka Fish) was the dramatic pencil lead vocalizer for prog sway band Marillion until start a solo career in 1988. Marillion was ab initio formed as an instrumental band in 1979 by guitarist Steve Rothery (b. November 25, 1959; Brampton, England), drummer Mick Pointer, bassist Doug Irvine, and keyboard participant Brian Jelliman. Irvine began vocalizing in 1980 on the group's low demos, but a year by and by Marillion invited Fish to unite as vocaliser, and he sham the frontman military position beginning with their 1983 debut album, Script for a Jester's Tear. His inviolable Peter Gabriel-inspired vocals enforced critics' accusations that Marillion owed more than just a heavy debt to Genesis, only six-spot more albums followed. Musical difficulties between Fish and the stripe caused him to leave behind subsequently 1988's Larceny Magpie (La Gazza Ladra). He was replaced by Steve Hogarth (b. May 14, 1956; Kendal, England), a singer quite similar in sound and style to Fish himself.


In 1989, Fish worked with Peter Hammill on Hammill's Fall of the House of Usher externalise, simply was and so replaced by Andy Bell. His debut solo album, Vigil in a Wilderness of Mirrors, appeared one class subsequently and continued the theatrical elan of Marillion's quasi-concept albums. After 1991's Internal Exile and the 1993 covers album Songs from the Mirror, he moved from EMI to Dick Bros. The Acoustic Session CD appeared in 1994, and one class subsequently Fish released a bivalent album (released individually), Yin and Yang. Sunsets on Empire was issued in 1997, followed by the well-received Raingods With Zippos on Chocolate Frog Records in 1999. During the new millennium Fish has continued cathartic CDs on the Chocolate Frog mark, including 2002's Fellini Days, 2003's Sashimi double-CD plant recorded live in Poland, and 2004's Theater of Crows.






Paste

Paste   
Artist: Paste

   Genre(s): 
House
   



Discography:


Something for your Mind (Dnox And Beckers Rmx) CDS   
 Something for your Mind (Dnox And Beckers Rmx) CDS

   Year: 2006   
Tracks: 1




 






Sunday, 29 June 2008

Luca Ricci

Luca Ricci   
Artist: Luca Ricci

   Genre(s): 
Other
   



Discography:


Live @ DeSade Milano Italy   
 Live @ DeSade Milano Italy

   Year: 2007   
Tracks: 1




 





Move Over, Clay: Ruben's Got a New Tag-Team Partner

John Waters swears off the word 'hon' and Honfest

BALTIMORE —

John Waters is done with "Hon."


Honfest, an annual celebration of beehive hairdos, cat's-eye glasses and other kitschy fashions, is getting bigger and bigger. Participants are known as "Hons" in honor of the ubiquitous Baltimore term of endearment.


But Waters and some residents of the city's quirky Hampden neighborhood, where the festival takes place, say Hon has lost its charm.


"To me, it's used up," Waters said of Hon style. "It's condescending now. The people that celebrate it are not from it. I feel that in some weird way they're looking slightly down on it. I only celebrate something I can look up to."


The filmmaker known for raunchy odes to his hometown says he won't use the word or the image in any of his scripts, and he doesn't think the city should promote it, either.


Waters has used the image of the Hon in the past - perhaps most memorably in 1988's "Hairspray," which was adapted into a Broadway musical and then back into a film starring John Travolta. He thinks "Hairspray" is one reason why Hons became a Baltimore icon.


"I used to say, 'Come to Baltimore and you would see people with those hairdos,'" Waters told The (Baltimore) Sun. "You no longer see that. They're dead or in nursing homes."


The two-day festival, expected to draw 50,000 people, begins Saturday. It began in 1994 in front of Cafe Hon on The Avenue, Hampden's main drag.


Denise Whiting, the owner of Cafe Hon and the festival's founder, said she was surprised to hear that Waters had turned against Honfest. But she said anything so big is bound to upset someone.


"Not everybody likes Oprah Winfrey," she said. "Not everybody's going to like you, and I accept that."








See Also

Chardronnet

Chardronnet   
Artist: Chardronnet

   Genre(s): 
Other
   



Discography:


Ledge   
 Ledge

   Year: 2004   
Tracks: 3




 





The White Buffalo

Libertines

Libertines   
Artist: Libertines

   Genre(s): 
Indie
   



Discography:


Time for Heroes: The Best of the Libertines   
 Time for Heroes: The Best of the Libertines

   Year: 2007   
Tracks: 13




The Libertines linked the down chafe of 2002, competing with the likes of the Strokes, Hives, Vines, and Doves with their debut single, "What a Waster." The Bernard Butler-produced trail entered the U.K.'s Top 40 in June, going away NME to crown the Libertines as the charles Herbert Best new band in Britain. The double-A-side song "I Get Along" earned Single of the Week on BBC Radio 1. The London-based band, wHO inked a consider with Rough Trade in December 2001, features Carl Barat (guitar/vocals), Pete Doherty (guitar/vocals), John Hassall (sea bass), and Gary Powell (drums). Up the Bracket was released stateside in March 2003 spell the single Fourth dimension for Heroes gained momentum on the U.K. charts.


The group's Coachella Festival appearance later that spring, meanwhile, introduced their energising live playact to the States. In June 2003, the band's playfully volatile chemistry began to go skew-whiff when Doherty didn't show up for a spell of Europe. The catch one's breath of the Libertines went beforehand with the dates piece Doherty formed some other radical that he ab initio as well called the Libertines before ever-changing the name to Babyshambles.


The following month, while the unexpended Libertines were on term of enlistment in Japan, Doherty was arrested for breaking into Barat's apartment and stealing items including a harmonica, laptop computer computing machine, and passee guitar. In August -- about the same fourth dimension that the band's single Don't Look Back Into the Sun became one of their biggest hits -- Doherty pled shamefaced, and besides confessed to addictions to heroin and crack cocain; in September he was sentenced to six-spot months in jail. However, his time was rock-bottom to deuce months on appeal, and with clip sour for ripe behavior, he was released from poky in early October and the complete Libertines lineup performed at the Rough Trade twenty-fifth day of remembrance show later that month. In November, Doherty played two shows in his have flat that featured a commix of Libertines and Babyshambles songs. The band closed out 2004 with a string of local dates, and began 2004 by writing and recording new songs in France.


Their low gear U.K. dates of that class, a three-night residency at London's Brixton Academy, unfolded in a typically disorderly fashion when Doherty pissed his guitar and left the stage in the midriff of the band's last performance. As the band continued to record, Doherty and Barat likewise appeared on "For Lovers," a unmarried by their admirer Wolfman; it became a surprise hit and the biggest Libertines-related release so far. Meanwhile, in April 2004, Babyshambles released their self-titled, limited edition debut individual. Later that month, the band were joined onstage by Peter Perrett of the fabled new waving striation the Only Ones, and performed "Don't Look Back Into the Sun" and the Only Ones' graeco-Roman "Some other Girl, Another Planet" with them.


Only by May the Libertines' future looked gruesome again: Doherty was in and out of rehab clinics, such as London's Priory, in rapid ecological succession. His ongoing troubles lED the Libertines to cancel their performance at the Love Music Hate Racism concert that June; the effect was afterward canceled all told. The band's appearances that month at Glastonbury, the Isle of Wight, and Morrissey's Meltdown festivals were likewise canceled and Doherty went to the rehab political program at the Thamkrabok Monastery in Thailand; after a few days thither, he left for Bangkok. Just after reversive to London in mid-June, Doherty was arrested by London law, wHO detained him for a traffic offence and establish a switchblade knife in his possession. The rest of the dance orchestra carried on with their obligations for July and forth, locution that Doherty was welcome to rejoin the dance orchestra formerly he had his addictions under control.


The Libertines recruited guitarist/vocalist Anthony Rossomando for their upcoming gigs, which included a execution at the T in the Park Festival. Doherty, meanwhile, go under up a cosmic string of solo shows and dates with Wolfman, just failed to appear at several of the performances in former August. "Can't Stand Me Now," the debut single from the Libertines' self-titled second album, entered the U.K. charts at figure two; in mid-August, Doherty appeared in court and pleaded shamed to the charge of possession of an offensive artillery. The Libertines arrived late that month, and the dance orchestra -- minus Doherty -- toured the U.K. and the U.S. that fall in support of it. Doherty, meanwhile, order his efforts into Babyshambles, touring the U.K. with the band throughout September and October.






Hosoo TransMongolia

Hosoo TransMongolia   
Artist: Hosoo TransMongolia

   Genre(s): 
Folk
   



Discography:


Gesang des Himmels (2005)   
 Gesang des Himmels (2005)

   Year: 2005   
Tracks: 13




 





Introspective

Day-Lewis is among the SAG winners

Daniel Day-Lewis has been named Best Actor for his performance in 'There Will Be Blood' at the Screen Actors Guild Awards in the US.
Day-Lewis is Oscar-nominated for his performance and has already won the Golden Globe Award for his portrayal of Daniel Plainview in the Paul Thomas Anderson film.
Wicklow resident Day-Lewis used his SAG Awards acceptance speech to pay tribute to Heath Ledger, who was found dead in New York last week. He described the Australian actor as an inspiration.
Julie Christie won Best Actress at the Screen Actors Guild Awards for her performance in 'Away from Her'.
Javier Bardem was named Best Supporting Actor for his performance in 'No Country for Old Men' while Ruby Dee was named Best Supporting Actress for her performance in 'American Gangster'.
The Outstanding Performance by a Cast in a Motion Picture went to the stars of 'No Country for Old Men'.
The stunt team on 'The Bourne Ultimatum' won the Outstanding Performance by a Stunt Ensemble in a Motion Picture award.
For more on the Screen Actors Guild Awards, click here.

Future Leaders Of The World

Future Leaders Of The World   
Artist: Future Leaders Of The World

   Genre(s): 
Retro
   



Discography:


LVL IV   
 LVL IV

   Year:    
Tracks: 10




Alternative alloy band Future Leaders of the World was light-emitting diode by singer/guitarist Phil Taylor, a Buffalo native wHO resettled to San Francisco after high school. At a Puddle of Mudd gig, he befriended Mike Flynn, world Health Organization would later attend to as the group's handler and financed Taylor's first three-song demonstration tape. Upon returning to Buffalo, Taylor formed the showtime incarnation of Future Leaders of the World with bassist Toby Cole and drummer Carl Messina. The neophyte trio drove cross-country to Los Angeles to record a demonstration session, only creative tensions presently forced Cole to passing from the card, and with the late 2003 additions of bassist Bill Hershey and lead guitarist Jake Stutevoss, Flynn negotiated a deal with Epic Records. Future Leaders of the World's debut album, LVL IV (aka "Degree Four") appeared the following fall, only in the thick of an extensive alive schedule that included a series of dates on the Sno-Core Tour the band standard intelligence that Epic planned to end their undertake and dissolved. After subsidence in Little Rock, AR, Taylor assembled a newfangled Future Leaders of the World lineup in 2005 with former Evanescence members John LeCompt (guitar) and Rocky Gray (drums) as advantageously as guitarist Jack Wiese and bassist Thad Ables. This revamped roster subsequently adoptive the name Machina.





Numina

Juan Luis Guerra

Juan Luis Guerra   
Artist: Juan Luis Guerra

   Genre(s): 
Latin
   Pop
   Other
   Latin: Dance
   



Discography:


La Llave De Mi Corazon   
 La Llave De Mi Corazon

   Year: 2007   
Tracks: 13


Festival Vina Del Mar 2006   
 Festival Vina Del Mar 2006

   Year: 2006   
Tracks: 15


Para Ti   
 Para Ti

   Year: 2004   
Tracks: 11


Encuentro   
 Encuentro

   Year: 2002   
Tracks: 15


Coleccion Romantica Cd2   
 Coleccion Romantica Cd2

   Year: 2001   
Tracks: 10


Coleccion Romantica Cd1   
 Coleccion Romantica Cd1

   Year: 2001   
Tracks: 10


Ojala Que Llueva Cafe   
 Ojala Que Llueva Cafe

   Year: 2000   
Tracks: 8


Mudanza Y Acarreo   
 Mudanza Y Acarreo

   Year: 1999   
Tracks: 8


Grandes Exitos   
 Grandes Exitos

   Year: 1999   
Tracks: 17


Areito   
 Areito

   Year: 1999   
Tracks: 12


Ni Es Lo Mismo Ni Es Igual   
 Ni Es Lo Mismo Ni Es Igual

   Year: 1998   
Tracks: 11


Fogarate   
 Fogarate

   Year: 1994   
Tracks: 12


Bachata Rosa   
 Bachata Rosa

   Year: 1991   
Tracks: 10


Mientras Mas Lo Pienso   
 Mientras Mas Lo Pienso

   Year: 1986   
Tracks: 9


El Original 4.40   
 El Original 4.40

   Year: 1984   
Tracks: 8


Bachata   
 Bachata

   Year:    
Tracks: 4




In his native Dominican Republic, merengue wiz Juan Luis Guerra is considered a poet and musician of the hoi polloi. He and his band 440 ar much loved passim the Latino world and he has become one of the new wave of artists responsible for for revitalizing the tropical music that had been languishing during the tardy '80s from ham and lack of invention.


Guerra is the logos of a professional baseball player and grew up side by side to the National Music Gallery. As a teenager, he was influenced by the Beatles and by the music of the U.S. hipsters. Initially, he taught himself the basics of guitar playacting, just after taking a contest, accompanied the National Conservatory on a scholarship. One of his instructors then helped Guerra catch into the esteemed Berklee College of Music in Massachusetts and the many genres of jazz. In time, he constitute he lost his native Dominican Republic and so returned to experiment with blend local African-influenced music, folks songs and jazz with his group 440. The ring takes its list from the universal joint tuning traffic pattern of the A note, 440 Hertz. The name was chosen by Guerra's comrade José Gilberto wHO victimized to sit and catch them rehearse. One day he commented that they seemed so haunted with staying in perfect melody that they should call themselves that.


Their debut album, Soplando, made little shock. For their future efforts, Mudanza y Acarreo and Mientras Más Lo Pienso Tu, Guerra and 440 began adding merengue and lightning-quick riffs of "perico ripiao," and suddenly constitute success with a cy Young crowd tired from hearing the same quondam thing. The new music, called "bachata-merengue," presently north Korean won considerable acclaim in the Dominican Republic. The mathematical group was selected by their government to represent the nation in the International Music Festival of OTI, the Oraganization of Iberoamerican Television. In 1988, Guerra and 440 had one of their biggest hits, Ojalá Que Llueva Café, which became the third best-selling album in Latin America. That year he mixed-up his lead vocalizer, Maridalia Hernández, wHO left to act on her solo career in Europe, leaving Guerra to turn the new lead vocalizer. In 1991, he released Bachata Rose which became a smash hit passim the Americas and won Guerra his low Grammy in the U.S. The album was particularly popular in Los Angeles and before long Guerra and his ring were touring. His future album, Areito, caused argument in the Dominican Republic for oral presentation tabu against social injustice that the urgently pitiful felt Guerra had never personally experienced. Still, he mustiness be given credit for his serious-mindedness and interest in improving things in his oft-troubled homeland. Musically, Guerra changed directions again for his 1995 crusade Fogaraté. This album corporate more of the progressively democratic African soukous music. It became quite popular. His 1998 loss Ni Es Lo Mismo Ni Es Igual garnered Guerra three Grammys for Best Merengue Performance, Best Tropical Song for "El Niagara en Bicicleta," and for Best Engineered Album at the low annual Latin Grammy Awards in fall 2000.