Download Conrad Schnitzler mp3

Artist: Conrad Schnitzler: mp3 download    Genre(s):  Electronic Classical     Discography:      Contakt    Year: 2003    Tracks: 12      Con '72    Year: 2001    Tracks: 2      Acon    Year: 2000    Tracks: 17      Convex Live    Year: 1995    Tracks: 15      Control Live    Year: 1995    Tracks: 25      Blue Glow Live    Year: 1994    Tracks: 15      Con Brio    Year: 1993    Tracks: 6      Constellations    Year: 1987    Tracks: 2      Con 3    Year: 1982    Tracks: 9      Rot    Year: 1981    Tracks: 2      Auf Dem Schwarzen Kanal    Year: 1980    Tracks: 4      Ballet Statique    Year: 1978    Tracks: 10      Blau    Year: 1972    Tracks: 2      Tracks From The Ivory Tower    Year:     Tracks: 5      Electronegativity    Year:     Tracks: 8      Convex (Fragments)    Year:     Tracks: 3      Consequenz 2    Year:     Tracks: 8      Charred Machinery    Year:     Tracks: 3      Automat    Year:     Tracks: 4      0044    Year:     Tracks: 12 One of the prime figures in the outgrowth of Kraut-rock, Conrad Schnitzler made classic contributions to the quondam history of Kraftwerk and Kluster. Like many in the Kraut-rock community, Schnitzler was greatly divine by influences in the optic aesthetic public as well as the musical; he studied carving with Joseph Beuys, and composition with Karlheinz Stockhausen, likewise looking to John Cage and Pierre Schaeffer for intake. By 1969, he was working with Tangerine Dream, with whom he recorded Electronic Meditation. The record album became one of the near distinctive in TD's discography, and Schnitzler takes a great deal of the credit for its chance-taking approach. Ahead the end of the decennary, Schnitzler had begun appearing with another soon-to-be Kraut-rock caption, Kluster. Formed with Dieter Moebius and Hans-Joachim Roedelius, the group recorded two albums in 1970, Klopfzeichen and Zwei Osterei. Schnitzler left for a solo calling one year later, though Moebius and Roedelius credibly appeared on his debut, Schwarz (no credits were disposed, merely former musicians toilet be heard). With Schwarz and 1972's Rot, Schnitzler began to progression from by and large acoustic music to a style based around electronics and tape-looped wakeless. Though he continued to record meagerly during the seventies, non much of Schnitzler's work was released until the following decennary. He emerged in 1978 with the album Bunco, recorded at Peter Baumann's Paragon Studios, and with the support of the French mark Egg Records. The starting time of a new decade resulted in much activity for Conrad Schnitzler, and he released seven albums in add up during 1980-81 alone. The styles ranged from the rough sequencer enchantment of Consequenz to the surprisingly pop-oriented project Hustle 3 (both were recorded with barrel machines and vocals by Wolf Sequenza, at one time of Ton Steine Scherben). During the rest of the eighties, Schnitzler recorded ofttimes, only released his dissemble on increasingly obscure labels. After some other fallow stop during the early '90s, he began transcription with Plate Lunch Records, which issued new releases such as 1998's 00/44 as advantageously as archival reissues like 1971's Guff.

Trollskogen

   
Artist: Trollskogen

   Genre(s): 
Metal: Death,Black
   

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Discography:


   
 Vom Vergess'nen Land

   Year: 2002   
Tracks: 6

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Jonathan Goldman